William Ross
Critical theory, Theory of society, Presentation (Darstellung), 19th- 20-century German philosophy
Studies in History, Culture and Society at Université du Québec à Montréal, 2010. MA on Adorno’s epistemology in Philosophy, Université de Montréal, 2013. PhD on Hegel and Marx’s concept of society in Philosophy, Université de Montréal, 2022. Post-doctoral researcher, Institut für Philosophie, Goethe-Universität Frankfurt, 2022-2024. Since 2024, president of the Association for Adorno Studies. Since 2024, researcher at the Groupement de Recherche pour la Théorie Critique.
Ross, William 2025: Benjamin’s Trauerspiel: Model for Another Legality of Language and Second Nature, in: Daria Bayer, Sören Deister, Marcus Döller et al. (Hgg.): Utopie einer neuen normativen Ordnung: Alternativen im Recht / Alternativen zum Recht, Franz Steiner Verlag : Stuttgart, 127–150
Ross, William 2025: Presentation of Experience and Experience of Presentation: An Introductory Reading of the ‘Epistemo-Critical Foreword’ to the Origin of the German Trauerspiel, in: Nathan Ross (ed.): The Palgrave Handbook of Walter Benjamin, Palgrave Macmillan: Cham, 95–114
Ross, William 2022: Tax Justice in Time of Crisis, in: Brigitte Alepin, Lyne Latulippe, Louise Otis (eds.): Coordination and Cooperation: Tax Policy in the 21st Century, Wolters Kluwer: Alphen aan den Rijn, 33–45
Ross, William 2020: Current of Music: de ce qui est courant à la radio vers la possibilité qui court dans la radio, in: Pierre-François Noppen et Gérard Raulet (eds.): Théorie critique de la propagande, Maison des sciences de l’homme: Paris, 199–218
